deeeeeep ... and we love it. vinyl only! we predict future classics with these 2 tracks from comfortable records new secretive line of 12 inches, infectious vocals, dusty cord stabs and ride-the-horse grooves ... yes!

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

who wouldnt want to be kept by a beautiful rich woman? no matter how you look at it, its not the worst way to make a living. in 1982 the german new wave quartet ideal even wrote a song about it. >schoene frau mit geld< is thestory of a young man without any other drive or desire in life than to find such a woman and turn this state of utopia into reality. tough goal! twenty-eight years later, one of germanys finest and merited producers decided to do afresh interpretation of the song. sir losoul of playhouse fame presents two mixes (a dub for the faint of heart) that hone the hook and tag line of the original for maximum dance floor and repeated listening pleasure. and that, ladiesand gentlemen, is sometimes really the only thing you need in the world…

the red-hot underground duo sound navigators (chillin, dae)step up to calis doubledown with a choice three-track release. this is a cant-miss release for the jacking house heads, with the main cut the paper is not cry working an amped-up bass-heavy chicago acid house groove. very much in line with johnny fiascos material. on the flip active sol is a driving percussive track with a massive analog b-line while stevies acid thump boosts the 303 bass for more tweaked out midwest prime time flavor!

metalheadz veterans & man of the moment s.p.y combined to devastating effect. first up we have >legion< which takes us back to 2000 with total sciences beats and bass line and classic ragga sample. before we re bought right back up to date with >ploc monster< and its growling bass line and skanking beats. release of the year so far!

not many single releases can be labelled as events, especially not in the ever homogenised techno world, but the first single from model 500 in eleven years, and the first recorded by the new band line up is most definitely an event.
its only fitting that this single is released on r&s records, whose relationship with the man widely acknowledged as the originator of detroit techno goes back 17 years and who released the last model 500 album back in 1999.

part 3 in the voyeurhythm series! retro futuristic house tracks by ben sun and monte carlo interchange. ben delivers a great track that builds around a sweet frankie knuckles kind of bassline and sexy ny proto house percussion, topped with lush piano and vocal samples 1992 rippin old disco records style. heavy hitter! flip side is a spaced out slomo cosmic house jam with a big bass line which goes between a classic 90s carl craig and a late 80s chicago house bassline ... sweeet! another cool release from these kind australian folks!

fans of the itchy robot sound will go mad for this release as it has all his trade mark production technics glitchy beats and deep b-lines rule, are you ready to funky is the cry you hear from the intro. then from the drop the drums take over and with the screeching synth and power bass matched for effect. esoteric sound delivers a similar sounding track although it rolls along a bit smoother with a pounding driving b-line, and echoed out one beat vocal hook.

unless welcomes now for its 6th vinyl release the duet bla bla bla with an impressive 3 track ep so called prisma ep. this recently created duet are serginho and mecre, some important and respected personalities of porto city who handle for many years now the local underground scene. serginho as an old school ruler and charismatic dj and mecre already approved as an impressive studio producer wanted to deliver some musical works. prisma ep starts with bad disco on a side which uses samples of old classic house tracks as a tribute to house music at the beginning of the 90s. mayfield the first track on the b side evokes some tribal feelings with deep textures and some actual techno dub also. finally the second track of the bside is rom a tech house track building its drum pattern on a massive bass line

the musique d hiver pour l ete is all about warm instrumentation with a special emphasis on an intentional lo-fi production. it might even be a statement in an age of digitalism and overproduction. it rides the line between romantic techno and sultry disco!

get ready for some heavy bass infusion. those who witnessed the infamous audio injection vs. drumcell collaborative 6 hour set at berghain in may could sense the raw and direct path of the uncompromising heavy bass-lines they walk on, yet they possess a subtle sensitivity making this audio experience a physical and mental journey at the same time. with his first ep on electric deluxe, audio injection captured this dark and raw spirit in a perfect way. his tracks move effortlessly from percussive high hat funk to heavy bass-line assault, call it techno coolness. all tracks are dancefloor focused, but contain a healthy dose of weirdness, giving the them longevity while still being functional, spot-on material for the floors typical for electric deluxe releases. the vinyl version of >operation a< is being accompanied by a none other than speedy j himself. the remix has his signature flow, shifting, rich soundscapes layered over a forward bassline sketch. music for minds in dark places.

fresh on the heels of his cache records release, technoir audio welcome back shawn rudiman to the imprint. this time around, mr. rudiman supplies us with 4 tracks that range from blisteringly dark, bass-driven groove material to spiritual anthems for lost futures. in this release, as we have seen from rudiman in the past, he shows not only the ability to handle the energy of the floor, but also to invoke the spirit, body and soul.

2010er kompakt total compilation with hot tunes from dj koze, superpitcher, michael mayer, jürgen paape, jörg burger, justus köhncke u.v.m...

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

pelacha has been focused on her playground project in the past few years, with the support of her friends, she now decides to pursue a project that will round up her musical career: the launch of red sonja records, certainly a very personal way of understanding techno, which has been an obvious part of her career up to this date. this passion now results in two releases. and this is just the beginning... the first release contains pelachas cuts in their purest style, techno without additives, a drum and bass line that absorbs the spotlight, led by a line that sets the synth pace - simple and effective. heiko lauxs interpretation gives this track a german touch, tight bass and a touch of surround development sound pure and highly hypnotic.

early 90ies house classic by produced by l.t.j. experience, the man that currently churns out hot records almost every week.
side a) mestizo medley with hear the funky sound: ltj aka luca trevisi, the longstanding producer from irma, is on guitar, program and produce. originally released in 1991 with vocals from james thompson. as this tracks first part is composed by joe bataan, you can expect latino chicano feeling along the breakbeat house beats with summer essence!
side b) dont stop the sax. starts with funky raw bass with guitar and jazzy saxophone, then the braekbeat comes in and great keyboard solo to the saxophone line again… jazzy dance.

incl. matthias tanzmann rmx !! maximum impact 12inch on audioflyÆs supernature ! loved by everybody ! audioflys supernature continues its 2010 campaign in style with take control, the brand new single from one of germanys finest ascendant talents in house music, alex niggemann. backed with a remix from the indomitable matthias tanzmann, take controlis niggemanns finest work yet and a testament to the young producers talent for creating fresh, simple, contemporary house music with impeccable dance floor credentials. having forgone much of his life outside of music to hone his craft in the past five years, the berlin-based d³sseldorf-born dj/producer more than deserves his success and its certainly on the way as many of his more established peers line up to tip him as one to watch. buoyant, energetic and bottom heavy take controlbegins with a maurizio-esque, stripped groove which is slowly and steadily built with carefully programmed percussion.

neophyte records proudly presents another smashin releases by one of hollands most popular artists tha playah. this final album sampler bring us 4 more hardcore bombs taken from tha playahs latest album >walking the line<. have it large!

the final part to the limited edition hi five mobilee! vinyl series features tracks from mobilees head lady, anja schneider, and one of the very first artists on the mobilee roster, sebo k. each of the artists careers have grown and flourished with the label, and whilst retaining many elements from their signature styles, these tracks also show how they have developed their sound over the last five years. sebo ks way back comes with a funky house bass line and colorful synths, creating a very full and warm sound, and one that is topped with an element of old school vibes. as with all of his releases, its classically built for the dance floor and one that will be enjoyed by many. meanwhile, anja schneiders >something left<, has a more minimal and isolated feel to it, broken up with the soulful voice of cari golden. completely contrasting to sebo ks a side, it makes this an interestingly varied release!

kenton slash demon is indeed one of the most promising new talents out of denmark. the two guys who are also behind the much acclaimed indie-disco band when saints go machine and have gained massive attention with their ksd act, without releasing a lot of material. why? the answer is simple: all they do is just so good. their sound is both organic and futuristic, and their obvious skills take their productions further than the typical frame and dramaturgy of club a track. still 4/4 rhythmic - but with clever and super melodic bass lines and interesting breaks. >sun< is the first release in a ksd trilogy on tartelet called >schwarzchild trilogy< inspired by the elements that form our galaxy. >the sun< 12inch features a remix from the much hyped alan abrahams aka portable / bodycode, from portugal who made added vocals, deepness and classic mr. fingers juno-6 bass line - deep and clever.

now out on labella recordings: first limited edition (200) translucent vinyls of our fresh italo-brazilian talent marcos baiano. two sides of happiness: side a has clean percussion, latin influences, beautiful chords kicking in. side b with a harder, stronger drum kick and sub base and a gorgeous driving female vocal line. elegant house for every kind of floor this summer.

when listening to scsi-9 its quite unavoidable the mind turning apart from the body and flying, fantasizing about unexplored roads and boundaries. once again, anton and maxim are providing a trip within their personal globe, travelling in the terra del fuoco (tierra del fuego), in the southest city of te world, ushuaia. tom turns the wave in an heavy deep stone, surely to become a classic to be hold in the most fond of the genre library. the voice is shaped in the loop and becomes like paraffin, the chords completing the whole, transforming an electronic piece into a classic dance floor track. the second track, chasing shadows, following the first one basic line, fill up the b side with the yapacc remix, not disappointing the expectations and concluding the ep in a classy way, giving voice to monsters and fairies, flowing into or days groove.
support by: someone else, osunlade, oliver klein, dj sneak, patrick zigon, nic fanciulli ...

support from: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent , dustin zahn - british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful tech-house encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track -supersonic- and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot. the next two pieces, titled -cracker- and -baby chow-, feed us groovy tech-house on a spoon, immersing listeners with cadences layered perfectly between funk and melody. mark then rounds things up with a dance floor hit titled >sweet atom<, eloquently focusing on an energetic bass line that echoes amidst hypnotic percussion and waves of shakers. it doesnt get much funkier than this

the vinyl a side of release no.002 is brought by one of the label owners himself. alex niggemann. jewels is a track that gives you the sensation or maybe a vague feeling that something wild is going to happen. alex niggemann builds up the tention slowly. with a deep beat and some ethnical vocals he combines the secrets of an ancient world with the nowadays club scene. the warm toned percussions groove at a pace that definitely makes you move your feet, then your hips follow until your whole body moves to the rythmn. with lots of athmospheric details alex niggemann has created an audio piece to start perfect open air dj sets with. listening closely to it one can determine bells, street noises, sounds of goats or sheeps and a crowd talking. these elements are floating timelessly and combine into a hypnotic wave of sounds. to create a striking dynamic the producer has used calmness within intense passages. but the slightly more suble moments soon open up and harmonic string chords form into the arrangement which are eclapsing in the vocal hook line, one can barely not memorize. after former releases at labels such as hi-freaks and kindisch the recenty formed soulfooled is proud to present this munich dj and producer team with a staggering new track, findling & lihab created a deephouse mix with ol times combining smooth vocals with raw edgy chords.

third release on dj solid states (society records) new all out war imprint, and hes brought on board the legendary al kent (million dollar disco) following in greg wilsons footsteps, million dollar discos al kent now delivers 2 peak-time edits for all out war… first up -delirious steals francine mcgees delirium bassline and heads off on a disco odyssey with madcap latin percussion, searing brass, synthetic whooshes and intricately funky rhodes breaks… check the dazzling musicianship and production on this cut - dance floor demolition guaranteed! all out wars solid state first heard this edit the last time al played for his society nights, about 3 years ago. in a set packed full of stunning rarities, delirious was a real standout and had me rushing to the booth for an id, so i know the impact it has – just an amazing track! brock party on the flipside is archetypal al kent territory: a ghetto disco workout with call and response vocals, funky brass, a heavy bass line and that foot stomping breakdown… scarce indie disco of the raw and funky kind. proving just as popular as delirious in feedback, it completes a stunning double-header. as youd expect from al kent, both source tracks are stooooopid rare on vinyl, so grab the edits while you can!

a: so many dreams - original vocal mix
this mix certainly reaches the early days of house & acid. an era of electronic music we will never forget. great vocal feel that will keep dance floors moving all night.
b1: so many dreams - sub rockers dub
is a rockers version of side a with a great rock bass line to add a slight alternative twist to the mix lots of energy!
b2: so many dreams - tribal dream mix
is a tribal house mix with lots of loving beats & splashes of tripped out vocal warm vibes for the summer.

support from: surgeon, ben sims, luke slater, deetron, len faki, efdemin, technasia, mike dehnert, cio d or, ryan elliot, arne weinberg, vince watson, dan curtin, marcel hesse, franco cangelli, philip sherburne, perc, forward strategy group, matt o brien, the parallel. with a string of eps on prologue, mote evolver and komisch , samulis hypnotic tracks are seducing dance floors and djs alike. >kosmos< is samulis biggest track to date, with blasts of dry ice percussion and thumping, heavy beats underpinning a solemn voice intoning the tracks title. eerie sounds take >kosmos< to the outer limits, but kemppi keeps it rooted on the floor with a resonating bassline. >massa< meanwhile, is a raw warehouse number, its gained bassline and crashing cymbals playing host to an evil acid line that threatens to spiral out of control. peter van hoesen dissects and reconstructs >massa< using an intricate, stop-start arrangement and lithe, stop-start rhythms dipping and building until a heavy kick drops four minutes in. meanwhile >suunta< sees samuli back where he started, a heavy sub-bass and skipping percussion married with eerie vocals and atmospheric sound scapes. from his mind to ours. this is samuli kemppi at his best.

detroits electronic provocateur jimmy edgar invites you to try a new position on the salacious remix ep for >hot, raw, sex< (out july 12th), the lead single from his robo-disco songbook, xxx (out july 27th). newly signed to !k7, edgar wastes no time getting the party started with a scorching trio of retakes on an already incendiary proposal. the latest in a line of syth-based seductions that began with princes >dance, music, sex, romance< and continued through frankie knuckles/jamie principles house sizzler >baby wants to ride<, edgars >hot, raw, sex< sounds like a lovesick paean from aphex twin to janet >miss jackson, if you re nasty<.
includes mp3 download-code.

new 12inch release unreleased from the massive phlash (aka phil asher) album >phlash and friends<. first up is jungle orchidz, phlash is here featuring lady alma horton, on this collaboration with mark de clive-lowe and orin walters (from the afronaugh fame). b-side gets even more pressure on the dancefloor with its dark heavy bass line and floating chords, thanks this time to collaboration with dego mcfarlane (4hero)… just and simply massive!

green could not have found a finer match. the melodic genius of ripperton is wonderfully sculpted by the uk producer, who delivers not one, but two remixes. part 1 sees radio slave taking leonor s lanugo on a deep, hypnotic workout. its warm, all encompassing bassline works brilliantly with its tribal drum line to deliver a deadly take on the original. on part 2 radio slave takes a housier direction. rock solid beats are interwoven with the original s beautiful string melody as bird calls and wild cats prowling add to the incredible suspense to create an inspiring remix.

2nd release for retrofit brings 4 deep collaboration-cuts by matthew burton, kate rathod and jay shepheard.

with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a true deep house anthem back then and stuttgarts most famous son, motor city drum ensemble steps up with two contrasting but equally excellent remixes. the >other thing dub< revisits the raw cuts sound that mcde is famous for - nelsons vocal expertly chopped up over organic piano grooves and a chugging beat. the second vocal mix stays truer to the tough beats and metallic synths of websters original, a real chicago feel provided by the ebullient hats and dubby bass line.

italian du ajello drop tip-top disco business on demo-disc. side a : bull attack: tough kick with wah-wahed guitar, hypnotic synth sound go along with rap. side b1 : 2 the top: starts off with killer percussion and dubbed out stabs keep the groove going till bass and vocal comes in. uplifting disco. side b 2 : motor show: chunky bass line with acidic analogue synth sound, and stab keys brings strong groove till percussive breaks part. peak time disco bisiness

fans of beyond the wizard sleeve, a mountain of one.. will get straight into the sound of double drop label – psychedelic, cosmic rock with chunky beats by luca c & brigante. a side – ‘lucio’ starts off with laid back guitar and strong hand clap, this funky groove goes behind the main melody line that make the impression of sort of cosmic / psyche rock feeling. side b ‘faber’ : light kick, pleasant catchy codes, latin male vocal with bug pipe (?) sound – imagine the balearic classic of ‘stop bajon’ by tullo de piscopo with twisted modern feeling…..

hot on the heels of sync 24s >we rock non-stop< ep cultivated electronics continues into 2010 with its second release for the year. ce006 sees miami meeting london via cuba, with interdimensional transmissions alpha 606 and cultivated label head sync 24 teaming up for their first full release. these two bubbly analogue electro jams follow up their 2009 debut on the touchin bass complilation >geometry<. the a sides >lunar passport< is a minimal, linear affair with stripped down 606 beats, rolling subs, clicky bass and a spooky lead line finished off with spacious pads. the flip sides >forest communication< leans more to the funky side with deep 808 kick drums, quirky sound effects and wet wobbly bass lines. watch out for various realeses from sync 24 this year on cultivated electronics including remixes from scape one, ed chamberlain and plant 43. as well as alpha 606s first long player on interdimensional transmissions scheduled for later in the year.

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

patch park is no stranger to be as one, having released one of its greatest tracks of last year, 7 miles. now its time for oddity to ignites the floors, a masterpiece from patch, delivering it in be as one style. with a groovy techno bass line and the freaky 90s sounds patch park is breaking the market again with another summer anthem. swiss techno lord deetron makes his second appeareance on be as one with his remix to patchs original. techno for the morning, druggy and twisted!

bringing the virtuosity into contemporary dancemusic, two protagonists found themselves as being the new dreamteam of the scene: thomas melchior and bruno pronsato. and it works perfectly- melchior, the perfectionist who always sets new standards regarding minimal house music and pronsato, the scientist who discovers the unheard and the unbelievable. both living in berlin, melchior & pronsato connected their world of sound and built one of the loveliest records in the whole universe of reduced deepness. on >puerto rican girls< melchior & pronsato play the most wonderful rhodes-line ever created connected with a never-to-stop-rhythm that could last for ages. it features the voice of ninca leece, who just released a super sweet record on bruno pronsatos imprint thesongsays. pure love! on the b-side >we make it right< brings together what belongs together- a fluffy bassline with that kind groove which makes the sun shining brighter.

ooooooh yeeeaaah!!! haasten is here! one of technos fastest rising stars brings his strongest ep to date with two huge tracks you will be hearing lot of this summer! egbert returns to gem… >haasten< (translates into hurrying) has been destroying crowds during egberts live sets around the globe for the past few months. a dark commanding bass line that skips over the beat is accompanied by a retro sounding orchestral jab to create what is looking to become one of this years biggest techno tracks! the b-side >yourself< has also proven to be a crowd pleaser and is paving the way for the future of percussion based techno. the punishing drums, deep basses, narrow mids and rattling hats kick ass throughout the track before taking a break for 30 seconds to introduce some melody and continue on mercilessly afterwards. a mean f*cking package!

shadow sync are back with two new bomb tracks with a fresh techno touch for their fifth release on krd. the imploded beats of theia hit the dance-floor like a meteor shower, accents in reverse weave the rhythm supported by background reverberations. a grooving tr-909 complete all. jitter is a tribal repetitive trip that arises from a genetically modified marimba (courtesy of our beloved 8-bit mirage). reversed hi-hats, hypnotizing delays, bit-reduced accents infect the main synth line making it sick: disorientation guaranteed!

from franco cinellis main remix to his nyc bass line mix going through the hatapella tool, the man in charge takes all the glass original elements remodeling them to higher grounds. franco cinellis genius blend of dubby techno with original 90s nyc house synths and bass lines proves once again to be the perfect balance. this re-edition record follows up on two brilliant edits on aux-rec, baker man by soul clap and caught up by childhood 87. by aux-rec criterion, it will only come out on 12 inch vinyl. franco cinellis nyc bass line mix will be accessible as bonus to record-buyers only.

this is a well-rounded compilation of material from various plan b recordings artists. up first is dakini9s remix of >swine<, a track originally made by spider & lola. this is a deep, minimal techno track, with squealing pigs and industrial sounds which were recorded in pig slaughter houses and have been layered throughout the track. second up is courages >mildred< track. this is one of those tracks that just makes you want to dance, period. this is from his >feast or famine ep<, which will be coming out later this year. the third track is from detroits very own bileebob (underground resistance, detroit grand pubahs), who teams up with his agriculture partner, marshallito. here we have an amazing array of driving drumbeats and chaotic synth work that blends perfectly together for an infectious, grooving dance floor banger! the final track is from dj spider: a deep house track, with a funky bass line, nice synth work and a good driving beat. this house track completes the compilation and also gives you a taste of the diversity of this labels sound.

marius mevold aka mindflow is 25 and hails from trondheim in norway. his nsd debut was picked up early by 1xtras mistajam and when you hear it you?ll soon see why. mindflow has created an absolute monster of a dubstep track thats so catchy even your mum will be dancing her socks off to it: fact. switched has all the elements of a festival anthem, lush old-skool piano chords, soaring diva vocal cuts and huge sub bass wobbles that will shake any summer sound system. just when you think it cant get any better, the half time dubstep beat switches into rolling uk funky vibes. really and truly, this tune is a beast and has already had huge club and radio support from mistajam (6 weeks running on his 1xtra show!) as well as annie mac, kissy sell out, scratch perverts, oneman and caspa. of course a never say die release wouldnt be complete without killer remixes and this one is no exception. d&b men of the moment and remixers extraordinaire, dc breaks, have taken switched to new lofty heights with their super production skills. in line with the old skool vibe of the original, the crisp beats and breaks underpin an awesome sub driven roller that is sure to be on heavy rotation for the summer. dj support: anne savage, cut la roc, excision, far too loud, flux pavilion, freq nasty, futurebound, general midi, high rankin, jaguar skills, kid kenobi, pendulum, reset!, rico tubbs, riskotheque, starkey and more

suspect - unfinished business ... lock your windows ... close your doors ... contact interpol - connecting to the internet is not recommended ... >> your systems have been infiltrated << ... both the airborne and online viruses will spread any information you thought was safe is now compromised ... responsible is an enigma who has been accused of occult activities, a man whose house has been raided by the anti-terrorist squad. having been arrested for action art events in warehouses involving dubious objects, he is a producer whose art and music runs the fine line between creativity and illegality. returning from the depths of his underground research facility in berlin where he had been quarantined, suspect has >unfinished business<.

jamie jones / half inch jack -the return of the legendary back to basics imprint is indeed a menacing affair, with an original track from residents woodall & buckley and remixes from the irrepressible jamie jones and legendary chris duckenfield under his acid guise the >half inch jack<. the original track is named kitch n sync, and is a blistering seven minutes of menacing acid house futurism. an opening salvo of storming rhythms and vocal stabs gives way to a blistering acid bass line and crisp drum production.

here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

fans of burial mix and grayhound best listen up, cause the boys from succulent have come to mash up the hi-fi wit tha wicked dub, man. all three of their pieces use that unbelievably deep sub-bass that made their track on grayhound bug everyone out. pair that to masterful use of effects and proper ly placed samples of rasta mcs and you got that deep down, below the root line, damn its dark, kinda undaground dub shit that worship seem impossible to not do right. then the masters at the dub-house sound, solomonic sound, rework >freshly< into a sub-aquatic fun house of dubbedout bass wicked percussion all wrapped in spacey sounds. big, fat & totally necessary for any self respecting dub/house dj.

classic rolling stones album from 1972, 2010 rereleased on double 12 inch vinyl in gatefold sleeve.